Moerdijk, near Breda, Netherlands while being on the train.
A few shots from my recent break in Malta and Gozo. I took some snaps of the places we visited and also messed around with blurring. I managed to get a few shots for The Kiss as well.
I shall post one of the better ones.
These pix are taken of Valletta, Azure Window, the quant fishing town of Marsaxlokk, Birkirkara where we stayed, and Gozo of course mostly in Kercm where we saw the light festival and where hilly fields were decked out with hundreds of torches. Everyone local was having pizza and wine (at 4 euros a bottle so yeah that went down a treat 🙂 Fantastic place to visit.
All photographs copyright Bartolomy, all rights reserved.
Furthermore I am starting to work on two new projects, one is “The Birds” and the other will be called “Oets” All to be revealed soon.
Some pix from last weekend in East Sussex when we went to friends down in Hastings , visited Seven Sisters’ cliffs, Rye and Winchelsea. Weather forecast was supposedly dire, well it was anything but that. Windy and sunny and in the end we had a few drops, but nothing that spoiled the fun.
Love the cliffs, should do a proper shoot around the area…..
I have no idea what her name is, I did not write it down, which in most cases I do. I do know that Philippe and Cynthia Balligan did the hair and make-up. Shot in Finsbury Park, scanned in and post prod. by me. Just playin’
I have just read that Jimmy Bain has passed away, I interviewed Jimmy when he was in Dio in 1983 when they played in Utrecht (a video of that show is on youtube) and also at the Pinkpop festival the year after. Really nice and above all down to earth bloke. Had then already plenty of history with Rainbow, Wild Horses and then with Dio.
First Lemmy now Jimmy, two fab bass players in their own right are gone, and the world has become more boring. I read that Last In Line’s debut with Bain is about to be released, so that’ll be on my wishlist then.
As soon as I have my scanner back in operation again I shall post some of Lemmy’s and Jimmy’s images.
A few more images of Hastings.
I had to go to Rome for some business, but had some time to spend on grabbing a few shots while I was there. Twenty years ago I was there as Peter Gallina had an exhibit there at the Palazzo Esposizioni and I had made his prints for him. It was in July 1995 and it was boiling hot and I suffered from a sunstroke (only tourists wander about in the early afternoon…..the Romans know better) and we ended up drinking at the Fico Bar extensively in the evening.
A magical city, even though after the Paris attacks in Nov. 2015 there is a ton of police and military stationed all over town near the landmarks. I went to all the usual places The Trevi fountain, the Colosseum, Pantheon, the Vatican, and naturally some really nice restaurants some of which some were relatively cheap to eat at. Rome itself is quite expensive but since the Euro is weak against the Pound it is do-able.
I managed to capture 6 couples for The KIss, I will use 2 or 3 for the book The Kiss so this means you will have to wait until they have been pubbed. Quite easy to capture them, since it is Italy, almost as easy as Paris.
Weather wise, it poured on Thursday, overcast on Friday, On Saturday a few hours of sun and on Sunday there was not a cloud in the sky. Then of course Rome by night is quite a sight since most of the ruins are lit up to great effect. Best bit, well it was indoors, believe it or not, the Capuchin Crypt, was interesting to see how human bones were turned into artworks. The bones were nailed into the walls and every head of these nails was different. This is not something for everyone, probably too morbid for some, but I found it fascinating to look at. Not as good as the catacombs of Palermo which I saw eleven years ago, still worth a visit.
I shall post some photographs below, copyright Bartolomy, all rights reserved!
Happy New Year everyone, I hope you all had a great X-Mas break. I stayed in London until Dec 28th and then flew to The Netherlands and celebrated New Years Eve over there. A very nice trip. We ended up going to Leiden for the day which was very nice as well, I found a Tiffany lamp store and could have stayed there for hours, the craftsmanship and the colors were just mesmerising.
I posted a few pix of that trip at my Instagram account.
The weekend after we came back we went to Hastings to visit friends. This time I took my camera with me and took a few trainscapes (yes you seen it here first) and some pix involving seagulls. It was really windy but no less fun, as a matter of fact it was just great to be away again and get some fresh air. The couple of pubs we hit were just so different from what is around in London, very enjoyable.
Will post some pix soon, I have to get ready as we are leaving for Rome tomorrow 🙂 Expect lots of boring stuff next week!
Kay was with Marcella Studio, a model agency in Milano. I shot this in 1990 in my hotel room, a dive in the centre of Milano called the pensione Dante. You shared rooms with total strangers, the fat family a few doors down ended up using all the hot water, shared bathroom of course. The Moroccan co-owner used to spy through someone’s room into the shower room. I kid you not! Models, hair and make-up crew and photographers frequented through this place like mad. The pensione Dante is long gone and that is rightly so.
I have been scanning in a lot and will be scanning for yonks to come.
Kay in Milano 1990 with a 2015 twist. I love film!
Some shots I took three years ago in The Netherlands and in Stoke Newington. Since it is Spring I thought I’d post a few wintry landscape photographs.
Moody as always.
Time for a break the missus reckoned and sunshine beckoned. So of we went to The Canaries, this time Lanzarote.
Quite windy and cloudy but plenty of sunshine in the afternoon, went to shoot at Cuava de Los Verdes (bit overpriced if you ask me) and the Cactus Garden and took some close-ups while blurring with the zoom as the shutter speed hinged around 1/30, some pleasing results, then we ended our holiday with a climb up Montaña Roja, which gives a spectacular view over the whole area.
All photos in this post: copyright: Bartolomy, all rights reserved!
Taken on a cold wintry evening on my way back from a museum visit.
The shot on top was taken at Almelo station early in the morning at the very end of the platform there is an old fashioned waiting room, where somebody had the idea to decorate it minty green.
Makes an interesting shot.
And below that moment when you get from a fully overcast weather environment to a sunny one, ah yes…….
Today I happen to receive the 31st AOP Photography Awards 2014 book, each year all members are invited to submit their best work for it to be considered and get honoured for what they have done. Back in the day there were Gold/Silver/Bronze Awards, now you get Best In Category as an accolade.
In the ten years or so that I have been a member of the Association Of Photographers I submitted my work 3x, and it did not go much further than their bin, I just don’t fit in or my work is just shit, I think it is both, end of that debate. So spare yourself the thoughts that I think I am sooooo fucking great…..
The book this time, is not a hard cover but more a magazine style of work with a sleeve jacket, the paper inside is fab, I have to say it makes the pix look great, but that is hardly a plus compared to a hard cover book. The AOP has been plagued a few years back with mismanagement and loss of a lot of money which forced them to sell up their base in Drummond St. and now reside inside Holborn Studios. which in the end is not a bad thing, I am glad they got themselves sorted.
What I totally hate about the book is the fact that certain photographers have submitted 4 images and someone took the decision to only post 3 images of it, why?
I also find the Photoshop overkill on some of the images quite off putting as well, there ought to be a non-photoshop category, and why not a film (that’s photographic emulsion) category as well.
A lot of the work is so similar that I wonder where the distinction of that particular photograph lies, not as terrible as the usual Fashion Porn (no artistic merit, white backdrop, flat lighting, as much detail as possible, not that any brain cares to spend time to process all that data, anyone actually gave that a thought or two? ) but a very good second, and get the same feel every Awards year: ‘Could have been done by anyone…..springs to mind’
My fave pix:
Gary Salter in Non-Commissioned Life Single
Carol Sharp in Non-Commissioned Objects Single
Noel McLaughlin in Project
Adam Hinton in Project
Emma Townsend in Assistant Award Series
Also the missus and I went to Somerset House again, the Guy Bourdin exhibit took so much time that I could not view the Chris Stein exhibit of Blondie pictures, the majority from the 70’s. It was held in the same rooms as the Erwin Blumenfeld show earlier last year (which was fab btw). As a body of work I really liked it, sure it’s an advantage to be in the band and your missus happens to be the lead singer, still it takes a long time, and loads of perseverance to maintain it. Glad I saw it.
And while I was there I slipped into the Bryan Adams exhibit as well, Wounded The Legacy Of War.
Now I have a massive grudge against people that start a photography career after they have become famous for something else. If they were actually great then that would be fine by me, but in 99% that seems to be not the case and use the previous career as a stepping stone to get to a level some of us ‘real’ photographers could only dream off! It’s not cheating as a major US fashion photographer did over 20 years ago, but it’s a great second. Johnny Depp seems to think along that way as well.
This exhibit could have been so much better than just being set in a Fashion Porn environment, why not make it look that war is horrible and slap the viewer in the face with that awful reality than rather in that Ebay advert setting.
I am not only shit, but fucking jealous too………
Finally, let me try and end this rant on a positive note, the nominations for the Zilveren Camera have been selected, and the material is very impressive, there are some fantastic images to be looked at.
Glad I got all this off my chest, I feel so much better now.
This week I went to the Guy Bourdin exhibition at Somerset House, it started on Nov 25th and runs for a few months.
It was held in a section at Somerset House I had not seen an exhibition before, not that I am a frequent visitor, I average 2 a year.
I am a big admirer of Guy Bourdin’s work, not just because of the angles and compositions he used, but even more for his uncompromising attitude towards his crew and clients regarding his overall delivery of the final image(s). In short his will was King and not many people managed to have him change his mind regarding the final image.
The work he did for Charles Jourdan was displayed in a long corridor, and tastefully lit. Moving images were shown in three sections with projection, and then there was his own art work (drawings and paintings)where it shows that he planned his images carefully. His b&w work was strong in contrast, which would be way too much for the current fashion mags stable, yet two spreads from the mid 70’s for French and British Vogue stood the test of time, due to its cinematic and above all timeless influence, classic shots indeed.
What I did miss was his work for French Harpers Bazaar and The Best magazine which concluded his career, certainly not his most ground breaking work, but I see no reason why it was not shown.
There was talk that his material was collected in 30 odd garbage bags and meant to be destroyed after his death, whether this is true or not who knows, assuming that it is one could only wonder what he might have thought of this retrospective at Somerset House. I recommend everyone who is into great fashion photography to splash out £9.00 and see it and marvel at the fantastic work Guy Bourdin produced.
The world definitely got more boring after he left this planet.
I attach a few pix I shot with my iPhone, but also an article I managed to dig up from American Photographer (later re-branded as American Photo) from 1989 with a fantastic portrait by Chip Simons.
This is a polaroid transfer of AnneMarie Prince and was taken in 1993 in Den-Bosch. I cross processed the negative as a slide film (that is c41 film developed as e6) and that gave it this large green tint. I shortly after found out which film to use and what filtering to counteract that.
I then grabbed this slide and put it into a colour enlarger and exposed it on a polaroid back, then processed it (it must have been Polaroid 669), but peeled off the negative after just 15 seconds of processing and mounted it to some white board ( used for mounting prints inside frames) and then used a rubber roller carefully to transfix the image on the board.
This is the only attempt that worked, as the negative tended to ‘slip’ while rolling therefore blurring the end result, hence this being precious, here is the digital scan. I have a load of slides of this shoot which I will scan in at some point and publish. I remember meeting Annemarie in Milano a year or so before this shoot. Lovely person to work with.
Model: AnneMarie Prince
Hair and make-up: Karin Melissant.
Taken a while back at The Farnborough Air Show and stacked on top of each other, just playin’
I am going on tour with Lord Wilson next week, so expect a load of Die! Die! Die! antics shortly.
Also dropped my scanner off again at Nikon for a bi-annual clean-up / repair and I hope I can resume scanning my archive after that.
And last but not least I am working on building a new website, had a dabble these past few days already and I hope to have something to show around the holidays.
All photographs: copyright Bartolomy 2016, all rights reserved.
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