I don’t really write, or comment about other photographers.
In fashion i/e there are not many that I really admire, and the ones that I do have achieved granddad status 🙂 or are not among us anymore. The ones that have been added on the so called BIG status these past two decades not one has ‘moved’ me as these old timers have. I have to confess I have not bought a fashion mag in more than a decade, but I do check them out and I catch myself to go through them faster and faster for the sheer vacuousness they display.
If you think of shooting with a large umbrella in front of a white backdrop is edgy and ground breaking, then think again, people like Albert Watson, Bill King, Bert Stern, Richard Avedon and Irving Penn did it decades before you and a lot better too, the fact that this way of displaying fashion images is still being used shows the real conservative side of the fashion industry, Juergen Teller changed his style from cross processing to a more simpler approach (and incorporating a ring flash) and it brought him a lot of success, to me his shots became a lot more uninteresting, that’s my personal opinion, like it or not.
These days any young photographer will spunk a set out for free just to get published in the one too many online/print magazines which hardly anyone is bothered to read in the first place, no need to delude yourself it is a fact. Part of the blame is also to the huge flood of digital images which has devalued this profession to scrap. The Chicago Sun Times just dropped all their 28 photographers, one of them being a Pulitzer price winner John H. White. The paper will ask their correspondents to come up with the photos and videos.
I could go on and rant like the next dissatisfied armchair critic, so I better stop.
Here is something to spend a few minutes of your quality time on, the RFK funeral train, Paul Fusco’s photographs which I personally find one of the most moving set of shots I have ever seen. It makes a project like The Bench look pussy. The funny thing about that project I did is that I personally feel the least connected with it in an emotional way as I always thought ”anyone else can do this”, yet overall everyone likes it a lot, I have only received two negative feedback against hundreds of positive ones.
One day I hope to understand that unemotionally involved pix of mine get more appreciation than the ones I bleed my heart and soul out for.